Here is most of it

   
Film Glossary #3

Continuity-suggest that a series of shots should be physically continuous, as if the camera simply changed angles in the course of a single event.

Jump Cut – an abrupt transition between shots

Establishing shot- sets up, or establishes the context for a scene by showing the relationship between its important figures and objects.

Sequence Shots- allows for realistic and dramatically significant background and middle ground activity. Involves both a long take and sophisticated camera movement.

Cutting to Continuity- emphasizes smooth transition of time and space

Classical Cutting- dramatic or emotional enfaces between shots rather than one based strictly on considerations of time and space

Thematic Montage-continuity is based on symbolic association, not literal time and space

Abstract Cutting

Master Shot Technique- A single uninterrupted shot, usually taken from a long or full shot range, which contains an entire scene. Later, the closer shots are photographed, and an edited sequence, composed of a variety of different shots, is subsequently constructed on the editor's bench.

Overlapping Shot Technique

Reaction Shot- A cut to a shot of a character's reaction to the contents of the preceding shot.

Cut Away- the interruption of a continuously filmed action by inserting a view of something else. It is usually, although not always, followed by a cut back to the first shot, when the cutaway avoids a jump cut.

Cover Shots – extra shots filmed or placed to keep contenuty, exaple is a shot of birds

First Cut- Film editors first cut that is molded to fit the directors vision.

Final Cut-the final edited version of a movie as approved by the director and producer

Reverse Angle Shot-a shot that views the action from the opposite side of the previous shot, as during a conversation between two actors, giving the effect of looking from one actor to the other.
Cross-cutting-The alternating of shots from two sequences, often in different locales, to suggest the sequences are taking place simultaneously.

Parallel Editing-An editing technique that allows two or more simultaneous sets of action to unfold within a single film sequence

Flashback

Flash Forward

Film Glossary #2

POV – a shoot taken from the vantage point of the character
High Key Lighting
Low key lighting
High contrast
Low contrast
Fill light –secondary light
Back light
Color
Cool color
Warm color
Rack focus – the blurring of focal plains, forcing the viewers eyes to travel with the things in focus
Mise en scene – The arrangement of visual weights and movements within a given space
Montage – rapidly edited images used to portray a laps  or passing of time
Aspect ratio – the ratio between the horizontal and vertical dimensions of the screen
Masking – a portion of a film when part of the shot is masked out thus temporarily altering the aspect ratio
Iris – james bond shit
Pan
Tilt
Crane
Dolly
Zoom
Zolly
Handheld

 

Film Glossary #1

Realism - everyday life depicting subjects as they really appear.
Classicism - Classicism is all about ideal storytelling. The goal of a classicist is to tell a story in the best way possible
Formalism – Strives to show a vision through filmmaking techniques a distortion
Expressionism – extrem distortion
EXLS –Extreme long shot
LS – long shot
FS – full shot, includes the entire body
MS – medium shot, human body from knees or waist up
CU – close up
EXCL –extreme close up
Deep Focus – Everything is in focus
Establishing Shot
Over-the-shoulder Shot
Wide-angle Lens
Telephoto Lens
Fish-eye Lens
Zoom Lens
Prime Lenses – a lens that has a fixed focal length
Bird’s-eye View
High Angle – subject is photographed from above
Eye-level Shot
Low Angle
Dutch Angle – obscure angle, often used to portray unease in the subject being filmed